Hyposurface Resurfaces at Bio
The brilliant inventor of the Hyposurface proudly reported that the Hyposurface was successfully exhibited last week at Bio Boston to tremendous acclaim. The Hyposurface is a wall of triangular “pixels”, each about the size of a Dorito, that can move in and out of the wall independently, swiftly, and deeply. As the wall moves, it creates stunning 3D patterns and simple phrases. It’s even interactive - responding to sound, voice, and touch.
If you’re familiar with those little pin matrix toys that allow you to press your hand into the pins on one side and see your hand on the other, then you have an image of what this is like - just imagine it 10 feet tall and 40 feet wide, and you’re getting there.
This is no simple beast to set up, and the budget is not for everyone. But it is irresistible to watch. The inventor proposed that there must be some physiological aspect to our vision that remains since the days of our hunter ancestors, because there is something uniquely compelling about a wall that moves. It is absolutely not the same as a moving image on a screen. Physical movement is simply different than shifting pixels.
We had the good fortune to host the product at our production facility a little over a year ago, and the potential was obvious. I’m delighted to see that someone had the wisdom to incorporate it into such a dramatic public display.
I’m sure you can imagine where they can take this technology down the road, as it finds more money and time. Smaller traingles, and ever-increasing resolution, followed by colored video pixels on the end of each triangle, and you have a three-dimensional jumbotron.
In the meantime, this is a centerpiece attraction for an event, a stage backdrop, or a trade show exhibit.
*update* - ok, I stand corrected - this entire installation was set up in one day by four people, all local labor. Very reasonable.

(3 votes, average: 4.67 out of 5)

Billboardom writes about a billboard designed to trick drivers into slowing down to read their billboard. The trick is the realistic cutout of a police car placed below the billboard at ground level. A few years back, while under the influence of the draconian “Speed Kills” campaign across the country, I read a study that proved that speed variance was the leading cause of highway accidents, as opposed to speed itself. Of course, I’ve always said that running into things is what does it, regardless of the speed factors, but who am I to judge?
I find it tricky to write a post about a marketing campaign that resulted in the gridlock of the city of Boston, nearly a million dollars in emergency response expenses, and countless cases of irrational panic. Writing about it raises questions like “Am I giving undue attention to an inappropriate publicity stunt, thereby encouraging others to do the same?” and also “wait - was the problem the stunt, or the city’s reaction to the stunt”. I also find it tricky because it has already been covered by
This has truly received an undue amount of attention, especially in the city of Boston. These same devices were in place in 10 cities for weeks without gathering any attention. In fact, homeland security wasn’t even aware of them in the 10 other cities - think on that a bit… Perhaps I should feel safer living in the one city that took it seriously. Or perhaps I should add it to the same mental scrap book next to The Big Dig, Ted Kennedy, John Kerry, Mike Dukakis, and the Celtics, who have made it embarassing to admit to the rest of the country that I’m from Massachusetts.
(1 votes, average: 4 out of 5)

